Hot off the press! My newest Christmas carol setting for solo piano, Still, Still, Still, is now available! Suitable for church services or recitals, this is a stark, yet inviting setting of the Austrian carol. Click here to preview and order.
I'm excited to introduce Come, Thou Long Expected Jesus and Gentle Mary Laid Her Child to you! Both were written with church choirs in mind in regards to technique, but both also allow for a broad range of expression for school and university choirs.
Follow the links to preview both of them, sheet music is available through J.W. Pepper.
I'm pleased to announce a consortium for new music! If you're unfamiliar with a consortium in the context of commissioning new music, it basically is a way of sharing a commission with other ensembles and performers. This benefits the musicians, as they don't have to carry the commission fee alone, and it benefits the composer, because he/she gets more performances! It's really a win-win.
This consortium is for Incarnation, which will be for SATB choir and concert band. It will be a sacred Christmas work…
I recently completed a piano setting of In the Bleak Midwinter, based on the tune CRANHAM by Gustav Holst. While the melody is clearly heard throughout, the surrounding textures create a sense of mystery. The piece was commissioned by a group of seven pianists, and I have included their names in the printed score, for posterity and out of gratitude.
O Come, All Ye Faithful Once in Royal David's City Ding Dong! Merrily on High God Rest Ye Merry Gentlemen I Heard the Bells on Christmas Day The Holly and the Ivy Away in a Manger (Cradle Song) What Child is This
Church and school choir directors looking for some new Christmas music, I invite you to check out my consortium for a new setting of "Sussex Carol" for SATB and piano. I'm using the website Consortio to handle all the administrative aspects of this consortium. Check out this link for more info and details.
Please note, registration closes May 31st so sign up soon!